SHADOW PLAY
Photoshop Adjustments:
Desaturate - Make Black and White to enhance the shadows
Adjust Exposure - To enhance the shadows and eerie feel
Increase exposure to remove the creases from the white material
Decrease the offset
Check gamma correction - ensure it retains its character
LONG SHADOWS
Photoshop Adjustments:
Photo filter - Cooling filter
Saturation
Hue
Curves - Linear/Strong
Wednesday, 19 March 2014
Shadow Photography
Labels:
U1 1.4 Demonstrate the use of equipment and accessories,
U1 1.6 Produce a range of exploratory photographs,
U2 1.2 Select suitable images for printing/ presentation,
U2 1.3 Demonstrate processing procedures needed to produce prints/ images,
U3 1.1 Give examples of possible ideas for a photographic portfolio,
U3 1.4 Use compositional elements visual language and technical processes together
Sunday, 23 February 2014
Hands
ASSIGNMENT - HAND PHOTOGRAPHY
Create an image showing a hand or hands.
Research position, style and lighting. Concentrate on lighting. Soft hands should
not be lit as if they have worked a life down the pit.
Use props creatively
RESEARCH
http://www.pinterest.com/thejad/hand-photography/
PHOTOS
5f 1/25
I added linear curves, reduced the saturation and placed a b/w filter for darker over this image in Photoshop. To show the detail and definition in the hands as a classic portrait.
4.5f 1/40
I reduced the saturation and adjusted the curves using linear. I wanted the fingers/hand to seem as though they were coming out of the darkness and touching the light. Almost ethereal.
4.5f 1/25
I adjusted the curves (linear), reduced the saturation and filtered b/w lighter
I like that the fingers are just touching each other and the light and that two fingers are highlighted in particular while the rest is darker and detailed. This give it an edge.
8f 1/20 I wanted to detail hands reading a book in a classic old world setting. Carol has unique hands and uses this finger to follow the line of text and I wanted to capture this with this picture.
I adjusted the curves (linear) and reduced the saturation. I then colourised it red/orange to make it look sepia. Old and classic. Timeless.
4f 1/20
I wanted the foreground in focus and the background out of focus so chose a shallow depth of field.
I wanted to show the fold in the book and both hands on the text.
I adjusted the curves (linear), reduced the saturation. Colourised it red/orange (sepia).
Another classic shot.
5f 1/30 I wanted the flower to appear small and delicate in the hands and to soften and feminise the hands. As though the flower was being plucked/picked.
I adjusted the curves (linear). I then highlighted the flower using the magnetic lasso and added it to a new layer so that I could colourise it and increase the saturation. I wanted the flower to stand out from the hands. I reduced the saturation on the hands.
8f 1/30
Labels:
U1 1.3 Select appropriate lenses and camera positions for a range of subjects,
U1 1.4 Demonstrate the use of equipment and accessories,
U1 1.5 Outline basic visual language and composition,
U1 1.6 Produce a range of exploratory photographs,
U2 1.2 Select suitable images for printing/ presentation,
U2 1.3 Demonstrate processing procedures needed to produce prints/ images,
U3 1.1 Give examples of possible ideas for a photographic portfolio,
U3 1.4 Use compositional elements visual language and technical processes together
Saturday, 22 February 2014
The Dogs in Park Bridge
Of course it was difficult to get Frankie to sit still and pose in the right place and right direction. And look at the camera. This was either going to take a lot of time and effort (and treats) or I'd have to improvise and take what I could get. What I wanted was a good shot of Frankie to send to her vets as a thank-you following her recent operation - so I wanted her right leg in shot and her looking well and active outdoors. Of course she's sitting on it here so that's no good. I also wanted Park Bridge in the background but she wasn't co-operating with that angle.
Cute face. I've really discovered lowering the f/s to open the aperture but reduce depth of field to create some nice looking close-up shots like this one. Eyes in focus, nose and ears out.
Another sad droopy face with a low aperture.
Decided to try another angle and get the chimney in. She stood at last! But the lead ruins it a bit. I was shooting for a cloudy day which was perfect as there was lots of natural light but it was soft and not harsh. Everything was lit well. So we have a bright white dog and deep red chimney. It's a shame she's hiding that leg again...
My other dog Chance jumped in the water for a swim so I tried to get a good shot of him doing his thing but I think that the angle is too high and I'm too far away. He looks cute in the reeds though. I don't think that this water is even here in the summer!
Cute face. I've really discovered lowering the f/s to open the aperture but reduce depth of field to create some nice looking close-up shots like this one. Eyes in focus, nose and ears out.
Another sad droopy face with a low aperture.
Decided to try another angle and get the chimney in. She stood at last! But the lead ruins it a bit. I was shooting for a cloudy day which was perfect as there was lots of natural light but it was soft and not harsh. Everything was lit well. So we have a bright white dog and deep red chimney. It's a shame she's hiding that leg again...
Lovely shot of her waiting to have a run/play. I decided to change to shutter priority and shoot at a speed of 1/125 in case she moved as she was running around quite a bit.
I tried to get another action shot of Frankie but the sun came out and it's really made the contrast too harsh and quite ugly. I should have changed the white balance and possibly the shutter speed to be faster but the light was changing rapidly and the dog was moving quite quickly.
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